ProTools 12 most usual Crashes Solved Most of the crashes I have experienced in ProTools 12 are video engine problems as well as having other issues with the program when playback and preferences related issues. So in this post I will keep it short and simple for a step by step guide on how to […]
How to MIX your movie. Set your Mixing Workstation. (How loud DX, BG, SFX?) In this post I won’t ramble on on how a movie should be mixed by following some industry standard principles which apply to all the films ever made. In this post I will keep it short and simple. The […]
How to Record Foley like a PRO (4 Steps) First of all if you don’t remember what foley was and you need to take a peek, do it here. In here I cover what foley is and where in the process of audio post-production lies exactly. Well, let’s suppose you are about to begin the […]
Post-Production Audio: What ORDER to follow? (Step by Step Guide) One of the most important things when planifying the post process of a feature film is what ORDER is the most efficient to follow of them all. In here we will talk about which is the most common order for audio post-production: Dialogue editing ADR […]
Sync Dialogue in Premiere Pro and export AAF to Pro Tools (3 STEPS) The key question here is: You have finished shooting your short, documentary or feature film and you have as well already edited your film but only the visual part (if this is the way you come around it). Now you would like […]
ProTools Editing Principles for Filmmaking Pro Tools 12.5 Here I leave you a list of the key principles you will use when editing and mixing sound for film, therefore and without further delay here it is… Quick Steps when Creating a New Session: Step 1: NAME THE TRACK (SET A MASTER FADER FIRST WHEN CREATING […]
Edit your feature film in ONE vs SEVERAL Premiere Pro projects When it comes to editing a YouTube video it’s clear. You would do only one Premiere project where you would edit the whole thing as it is a 10 minute video. But what if that video wasn’t a YouTube video and instead it was […]
Why the Director Should Be the Editor of the Film Sean Baker. The Florida Project. David Lean. In which we serve. A passage to India (Oscar nomination for editing) David Lynch (2 features). Eraserhead. Inland empire. Shane Carruth (2 features). Primer. Upstream Color. The Coen Brothers (14 features). They have edited all of their films […]
Why Having A YouTube Channel Will Boost Your 2 Most Important Editing Skills How Much Editors actually Edit? Do most editors edit all of the time or do they just edit when it is necessary for a project? Well most editors do not make a living of just editing movies and feature length films. Most […]
2 Reasons Why Storyboarding Will Make Your Life While Editing Easier You want to simplify as much as you can the editing process because what you want is, if you are an independent filmmaker, get your vision, your story cristal clear. For that the only way around it is work and planning. And how you […]
ProTools 12 most usual Crashes Solved Most of the crashes I have experienced in ProTools 12 are video engine problems as well as having other issues with the program when playback and preferences related issues. So in this post I will keep it short and simple for a step by step guide on how to […]
How to MIX your movie. Set your Mixing Workstation. (How loud DX, BG, SFX?) In this post I won’t ramble on on how a movie should be mixed by following some industry standard principles which apply to all the films ever made. In this post I will keep it short and simple. The […]
How to Record Foley like a PRO (4 Steps) First of all if you don’t remember what foley was and you need to take a peek, do it here. In here I cover what foley is and where in the process of audio post-production lies exactly. Well, let’s suppose you are about to begin the […]
Post-Production Audio: What ORDER to follow? (Step by Step Guide) One of the most important things when planifying the post process of a feature film is what ORDER is the most efficient to follow of them all. In here we will talk about which is the most common order for audio post-production: Dialogue editing ADR […]
Sync Dialogue in Premiere Pro and export AAF to Pro Tools (3 STEPS) The key question here is: You have finished shooting your short, documentary or feature film and you have as well already edited your film but only the visual part (if this is the way you come around it). Now you would like […]
ProTools Editing Principles for Filmmaking Pro Tools 12.5 Here I leave you a list of the key principles you will use when editing and mixing sound for film, therefore and without further delay here it is… Quick Steps when Creating a New Session: Step 1: NAME THE TRACK (SET A MASTER FADER FIRST WHEN CREATING […]
Edit your feature film in ONE vs SEVERAL Premiere Pro projects When it comes to editing a YouTube video it’s clear. You would do only one Premiere project where you would edit the whole thing as it is a 10 minute video. But what if that video wasn’t a YouTube video and instead it was […]
Why the Director Should Be the Editor of the Film Sean Baker. The Florida Project. David Lean. In which we serve. A passage to India (Oscar nomination for editing) David Lynch (2 features). Eraserhead. Inland empire. Shane Carruth (2 features). Primer. Upstream Color. The Coen Brothers (14 features). They have edited all of their films […]
Why Having A YouTube Channel Will Boost Your 2 Most Important Editing Skills How Much Editors actually Edit? Do most editors edit all of the time or do they just edit when it is necessary for a project? Well most editors do not make a living of just editing movies and feature length films. Most […]
2 Reasons Why Storyboarding Will Make Your Life While Editing Easier You want to simplify as much as you can the editing process because what you want is, if you are an independent filmmaker, get your vision, your story cristal clear. For that the only way around it is work and planning. And how you […]