{"id":4659,"date":"2019-01-26T16:32:13","date_gmt":"2019-01-26T16:32:13","guid":{"rendered":"https:\/\/www.mordego.com\/?p=4659"},"modified":"2024-07-22T19:54:15","modified_gmt":"2024-07-22T19:54:15","slug":"protools-editing-principles-for-filmmaking","status":"publish","type":"post","link":"https:\/\/www.mordego.com\/es\/postproduction\/protools-editing-principles-for-filmmaking\/","title":{"rendered":"ProTools Editing Principles for Filmmaking"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"4659\" class=\"elementor elementor-4659\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9af424c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9af424c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f0f5a9b\" data-id=\"f0f5a9b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b0650f2 elementor-widget elementor-widget-spacer\" data-id=\"b0650f2\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3c30cc7d elementor-widget elementor-widget-text-editor\" data-id=\"3c30cc7d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h1>ProTools Editing Principles for Filmmaking<\/h1>\t\t\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"650\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-1024x650.jpg\" alt=\"\" srcset=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-1024x650.jpg 1024w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-300x191.jpg 300w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-768x488.jpg 768w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-350x222.jpg 350w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main.jpg 1400w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t\n\t\t<h2><strong>Pro Tools 12.5<\/strong><\/h2>Here I leave you a list of the key principles you will use when editing and mixing sound for film, therefore and without further delay here it is&#8230;\u00a0<h5><u>Quick Steps when Creating a New Session:<\/u><\/h5><ul><li>Step 1: NAME THE TRACK (SET A MASTER FADER FIRST WHEN CREATING NEW PROJECT = Track &#8211; New &#8211; Stereo &#8211; Master Fader)<\/li><li>Step 2: SET A COLOR (Same color for same types of sounds)<\/li><li>Step 3: RECORD AUDIO (Mono = record with 1 mic \/\/ Stereo = record with 2 mics)<\/li><\/ul><h5><u>Types of tracks:<\/u><\/h5><ul><li style=\"font-weight: 400;\">Audio tracks: mono\/stereo<\/li><li style=\"font-weight: 400;\">Auxiliary tracks (aux): no audio files here, only effects, pan and fader. You channel several audio tracks to an aux track so change the effect of all and each one of the tracks that are channeled through that specific aux track. When channelling other tracks it has 2 faders if stereo. <\/li><li style=\"font-weight: 400;\">Midi track: virtual piano. You need to redirect the midi information to another track so you actually hear a piano (virtual). It doesn&#8217;t play\/you don&#8217;t hear midi information.<\/li><li style=\"font-weight: 400;\">Master fader: you fade or increase volume of all other type of tracks. -6dB is ok for music. -12dB for film?<\/li><\/ul><p>Also, you can create all of these in Track &#8211; New &#8211; \u2026<\/p><h5><u>Tools<\/u>:<\/h5><ul><li style=\"font-weight: 400;\">Selection tool: Ctrl + { \/\/ } = Zoom in \/\/ out. Arrow right to go to the right side of selection and vice versa.<\/li><li style=\"font-weight: 400;\">Grabber tool<\/li><li style=\"font-weight: 400;\">Trim tool<\/li><li style=\"font-weight: 400;\">All above: click in grey area above the tools above to activate all three<\/li><\/ul><h5><u>Modes of editing:<\/u><\/h5><ul><li style=\"font-weight: 400;\">Slip mode: move cursor however you want<\/li><li style=\"font-weight: 400;\">Grid mode: the cursor is inside a grid where you move clips.<\/li><li style=\"font-weight: 400;\">Shuffle mode: as if you magnetized the right side of the clips (Premi\u00e8re Ctrl + trim)<\/li><li style=\"font-weight: 400;\">Spot mode: for <b>mixing<\/b> <b>sound<\/b>. When you click with the grab tool a window will come up where you can type in the specific time from which you want the clip to start playing.<\/li><\/ul><h5><u>SET Loudness:<\/u>\u00a0<\/h5><p>(<a href=\"https:\/\/www.pro-tools-expert.com\/home-page\/2017\/6\/21\/loudness-and-dynamics-in-cinema-sound\">https:\/\/www.pro-tools-expert.com\/home-page\/2017\/6\/21\/loudness-and-dynamics-in-cinema-sound<\/a>) <\/p><p>\u201cThe average level of a movie should normally be approximately 6 dB below that, in film work, using digital audio, it was generally agreed that dialogue levels were consistently running 30 dB below full scale, giving film audio 30 dB of \u201cemotional\u201d headroom. Dialog is therefore 7 to 9 dB below the reference level. This would be equivalent to app. 76 dBA.<\/p><p>My informal survey already shows a solid trend: no movie is ever played at 7 anymore, 5 is standard.<\/p><p> Commercials and trailers are routinely played back at 3.5, maximum 4. A check of the playlist notes of arthouse Studio K in Amsterdam reveals playback levels for the main movie of between 4.2 and 5.<\/p><p>The operator of arthouse Louis Hartlooper in Utrecht tells me that every Thursday various parts of all movies are viewed in their cinema (this is much easier with DCP than 35mm). Even when movies move to a new cinema room, they are viewed again. The optimum level is set by ear and programmed into the DCP server. Almost always that level is between 4 and 5. Another arthouse in Utrecht, &#8216;t Hoogt, also previews every movie on Thursday&#8217;s. On average they end up at 5.5, with 4.5 being the softest. Once in a while, they come across a movie that can be played at 6.3. Their goal is that soft sounds should be audible, loud scenes not too loud. They want to avoid complaints from the audience.<\/p><p>The level varies, but many movies are projected at 4, the maximum after one year of operation is 5.4.<\/p><p><i>\u201cI always visit at least ten cinemas when my movie is out. In the past I always mastered at 7. But these days projections have a maximum at 6, more usual 5.5, sometimes even 4.7. This is mainly caused by audience complaints about loud movies. I have surrendered and now work at 5.5 myself.\u201d<\/i><\/p><p>In my opinion, it would make sense to limit the short-term (3 secs) exposure to 100 dBA. That would be a max S (short-term) of approximately -6 LUFS.\u201d<\/p><h5><b>ProTools Editing videos:<\/b><\/h5><p>Edit Audio for film in ProTools:<\/p><p>Link 1: <a href=\"https:\/\/youtu.be\/ksiKKmgJpkI\">https:\/\/youtu.be\/ksiKKmgJpkI<\/a><\/p><p>Link 2: <a href=\"https:\/\/youtu.be\/GNMH_YX_tq4\">https:\/\/youtu.be\/GNMH_YX_tq4<\/a><\/p>\t\t\n\t\t\t\t<figure><img decoding=\"async\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/web_FoleyArtists2_Site-768x432.jpg\" alt=\"web_FoleyArtists2_Site\" \/><\/figure><figure><img decoding=\"async\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/foley.jpg\" alt=\"foley\" \/><\/figure>\t\t\t\n<!-- Posts add -->\n<ins\n     style=\"display:inline-block;width:160px;height:600px\"\n     data-ad-client=\"ca-pub-9579175183324262\"\n     data-ad-slot=\"5498568025\"><\/ins>\n\t\t<header>\t\n\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/how-to-record-foley-like-a-pro-4-steps\/\">\n\t\t\t\t<img decoding=\"async\" width=\"768\" height=\"384\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/1-Studio-768x384.jpg\" alt=\"1-Studio\" srcset=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/1-Studio-768x384.jpg 768w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/1-Studio-300x150.jpg 300w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/1-Studio-1024x512.jpg 1024w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/1-Studio-350x175.jpg 350w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/1-Studio.jpg 1200w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t<\/a>\n\t\t\t<!--.post-img-->\n\t\t\t\t<h2><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/how-to-record-foley-like-a-pro-4-steps\/\" rel=\"bookmark\">How to Record Foley like a PRO (4 Steps)<\/a><\/h2>\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/how-to-record-foley-like-a-pro-4-steps\/\" rel=\"bookmark\"><time datetime=\"2019-02-26T18:27:46+00:00\">26 febrero, 2019<\/time><\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/how-to-record-foley-like-a-pro-4-steps\/\" rel=\"bookmark\"><time datetime=\"2019-03-19T12:05:34+00:00\">19 marzo, 2019<\/time><\/a> <a href=\"https:\/\/www.mordego.com\/es\/author\/alefito53\/\">Ale Fito<\/a> <a href=\"https:\/\/www.mordego.com\/es\/category\/postproduction\/\" rel=\"category tag\">POSTPRODUCTION<\/a>  <a href=\"https:\/\/www.mordego.com\/es\/tag\/creative-work\/\" rel=\"tag\">creative work<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/creativity\/\" rel=\"tag\">creativity<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/filmmakingskills\/\" rel=\"tag\">filmmaking skills<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/skills\/\" rel=\"tag\">skills<\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/how-to-record-foley-like-a-pro-4-steps\/#respond\">Leave a Comment on How to Record Foley like a PRO (4 Steps)<\/a>\n\t\t\t\t\t\t<!-- .entry-meta -->\n\t\t\t\t\t\t\t<p>How to Record Foley like a PRO (4 Steps) First of all if you don&#8217;t remember what foley was and you need to take a peek, do it here. In here I cover what foley is and where in the process of audio post-production lies exactly. Well, let\u2019s suppose you are about to begin the [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n\t\t\t\t\t\t<!--.blog-excerpt-->\t\t\t\t\n\t\t\t\t\t\t\t<!--.post-info-->\n\t\t<\/header><!-- .entry-header -->\t\t\n\t<!--.col-md-?-->\n\t\t<header>\t\n\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/post-production-audio-what-order-to-follow\/\">\n\t\t\t\t<img decoding=\"async\" width=\"768\" height=\"510\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/PrettyLIghts-768x510.jpg\" alt=\"PrettyLIghts\" srcset=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/PrettyLIghts-768x510.jpg 768w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/PrettyLIghts-300x199.jpg 300w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/PrettyLIghts-1024x680.jpg 1024w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/PrettyLIghts-350x232.jpg 350w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t<\/a>\n\t\t\t<!--.post-img-->\n\t\t\t\t<h2><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/post-production-audio-what-order-to-follow\/\" rel=\"bookmark\">Post-Production Audio: What ORDER to follow? (Step by Step Guide)\u200b<\/a><\/h2>\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/post-production-audio-what-order-to-follow\/\" rel=\"bookmark\"><time datetime=\"2019-02-25T15:43:05+00:00\">25 febrero, 2019<\/time><\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/post-production-audio-what-order-to-follow\/\" rel=\"bookmark\"><time datetime=\"2019-03-19T12:10:19+00:00\">19 marzo, 2019<\/time><\/a> <a href=\"https:\/\/www.mordego.com\/es\/author\/alefito53\/\">Ale Fito<\/a> <a href=\"https:\/\/www.mordego.com\/es\/category\/postproduction\/\" rel=\"category tag\">POSTPRODUCTION<\/a>  <a href=\"https:\/\/www.mordego.com\/es\/tag\/creative-work\/\" rel=\"tag\">creative work<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/creativity\/\" rel=\"tag\">creativity<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/filmmakingskills\/\" rel=\"tag\">filmmaking skills<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/skills\/\" rel=\"tag\">skills<\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/post-production-audio-what-order-to-follow\/#respond\">Leave a Comment on Post-Production Audio: What ORDER to follow? (Step by Step Guide)\u200b<\/a>\n\t\t\t\t\t\t<!-- .entry-meta -->\n\t\t\t\t\t\t\t<p>Post-Production Audio: What ORDER to follow? (Step by Step Guide) One of the most important things when planifying the post process of a feature film is what ORDER is the most efficient to follow of them all. In here we will talk about which is the most common order for audio post-production: Dialogue editing ADR [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n\t\t\t\t\t\t<!--.blog-excerpt-->\t\t\t\t\n\t\t\t\t\t\t\t<!--.post-info-->\n\t\t<\/header><!-- .entry-header -->\t\t\n\t<!--.col-md-?-->\n\t\t<header>\t\n\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/sync-dialogue-in-premiere-pro-and-export-aaf-to-pro-tools-3-steps\/\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"512\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/premiere-audio-screen-768x512.jpg\" alt=\"premiere-audio-screen\" srcset=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/premiere-audio-screen-768x512.jpg 768w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/premiere-audio-screen-300x200.jpg 300w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/premiere-audio-screen-1024x682.jpg 1024w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/premiere-audio-screen-350x233.jpg 350w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/02\/premiere-audio-screen.jpg 1400w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t<\/a>\n\t\t\t<!--.post-img-->\n\t\t\t\t<h2><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/sync-dialogue-in-premiere-pro-and-export-aaf-to-pro-tools-3-steps\/\" rel=\"bookmark\">Sync Dialogue in Premiere Pro and export AAF to Pro Tools (3 STEPS)<\/a><\/h2>\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/sync-dialogue-in-premiere-pro-and-export-aaf-to-pro-tools-3-steps\/\" rel=\"bookmark\"><time datetime=\"2019-02-25T15:21:47+00:00\">25 febrero, 2019<\/time><\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/sync-dialogue-in-premiere-pro-and-export-aaf-to-pro-tools-3-steps\/\" rel=\"bookmark\"><time datetime=\"2019-03-19T12:14:12+00:00\">19 marzo, 2019<\/time><\/a> <a href=\"https:\/\/www.mordego.com\/es\/author\/alefito53\/\">Ale Fito<\/a> <a href=\"https:\/\/www.mordego.com\/es\/category\/postproduction\/\" rel=\"category tag\">POSTPRODUCTION<\/a>  <a href=\"https:\/\/www.mordego.com\/es\/tag\/filmmakingskills\/\" rel=\"tag\">filmmaking skills<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/skills\/\" rel=\"tag\">skills<\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/sync-dialogue-in-premiere-pro-and-export-aaf-to-pro-tools-3-steps\/#respond\">Leave a Comment on Sync Dialogue in Premiere Pro and export AAF to Pro Tools (3 STEPS)<\/a>\n\t\t\t\t\t\t<!-- .entry-meta -->\n\t\t\t\t\t\t\t<p>Sync Dialogue in Premiere Pro and export AAF to Pro Tools (3 STEPS) The key question here is: You have finished shooting your short, documentary or feature film and you have as well already edited your film but only the visual part (if this is the way you come around it). Now you would like [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n\t\t\t\t\t\t<!--.blog-excerpt-->\t\t\t\t\n\t\t\t\t\t\t\t<!--.post-info-->\n\t\t<\/header><!-- .entry-header -->\t\t\n\t<!--.col-md-?-->\n\t\t<header>\t\n\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/protools-editing-principles-for-filmmaking\/\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"488\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-768x488.jpg\" alt=\"ProTools_Overview_Main\" srcset=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-768x488.jpg 768w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-300x191.jpg 300w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-1024x650.jpg 1024w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main-350x222.jpg 350w, https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main.jpg 1400w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t<\/a>\n\t\t\t<!--.post-img-->\n\t\t\t\t<h2><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/protools-editing-principles-for-filmmaking\/\" rel=\"bookmark\">ProTools Editing Principles for Filmmaking<\/a><\/h2>\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/protools-editing-principles-for-filmmaking\/\" rel=\"bookmark\"><time datetime=\"2019-01-26T16:32:13+00:00\">26 enero, 2019<\/time><\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/protools-editing-principles-for-filmmaking\/\" rel=\"bookmark\"><time datetime=\"2019-03-19T12:16:18+00:00\">19 marzo, 2019<\/time><\/a> <a href=\"https:\/\/www.mordego.com\/es\/author\/alefito53\/\">Ale Fito<\/a> <a href=\"https:\/\/www.mordego.com\/es\/category\/postproduction\/\" rel=\"category tag\">POSTPRODUCTION<\/a>  <a href=\"https:\/\/www.mordego.com\/es\/tag\/filmmakingskills\/\" rel=\"tag\">filmmaking skills<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/post-production-skills\/\" rel=\"tag\">post production skills<\/a>, <a href=\"https:\/\/www.mordego.com\/es\/tag\/skills\/\" rel=\"tag\">skills<\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/protools-editing-principles-for-filmmaking\/#respond\">Leave a Comment on ProTools Editing Principles for Filmmaking<\/a>\n\t\t\t\t\t\t<!-- .entry-meta -->\n\t\t\t\t\t\t\t<p>ProTools Editing Principles for Filmmaking Pro Tools 12.5 Here I leave you a list of the key principles you will use when editing and mixing sound for film, therefore and without further delay here it is&#8230;&nbsp; Quick Steps when Creating a New Session: Step 1: NAME THE TRACK (SET A MASTER FADER FIRST WHEN CREATING [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n\t\t\t\t\t\t<!--.blog-excerpt-->\t\t\t\t\n\t\t\t\t\t\t\t<!--.post-info-->\n\t\t<\/header><!-- .entry-header -->\t\t\n\t<!--.col-md-?-->\n\t\t<header>\t\n\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/edit-your-feature-film-in-one-vs-several-premiere-pro-projects\/\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"441\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/deadpool-1.png\" alt=\"deadpool\" srcset=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/deadpool-1.png 740w, https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/deadpool-1-300x179.png 300w, https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/deadpool-1-350x209.png 350w\" sizes=\"(max-width: 740px) 100vw, 740px\" \/>\t\t\t\t<\/a>\n\t\t\t<!--.post-img-->\n\t\t\t\t<h2><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/edit-your-feature-film-in-one-vs-several-premiere-pro-projects\/\" rel=\"bookmark\">Edit your feature film in ONE vs SEVERAL Premiere Pro projects<\/a><\/h2>\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/edit-your-feature-film-in-one-vs-several-premiere-pro-projects\/\" rel=\"bookmark\"><time datetime=\"2018-09-23T14:50:33+00:00\">23 septiembre, 2018<\/time><\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/edit-your-feature-film-in-one-vs-several-premiere-pro-projects\/\" rel=\"bookmark\"><time datetime=\"2019-02-27T18:53:34+00:00\">27 febrero, 2019<\/time><\/a> <a href=\"https:\/\/www.mordego.com\/es\/author\/alefito53\/\">Ale Fito<\/a> <a href=\"https:\/\/www.mordego.com\/es\/category\/postproduction\/\" rel=\"category tag\">POSTPRODUCTION<\/a> <a href=\"https:\/\/www.mordego.com\/es\/postproduction\/edit-your-feature-film-in-one-vs-several-premiere-pro-projects\/#respond\">Leave a Comment on Edit your feature film in ONE vs SEVERAL Premiere Pro projects<\/a>\n\t\t\t\t\t\t<!-- .entry-meta -->\n\t\t\t\t\t\t\t<p>Edit your feature film in ONE vs SEVERAL Premiere Pro projects When it comes to editing a YouTube video it\u2019s clear. You would do only one Premiere project where you would edit the whole thing as it is a 10 minute video. But what if that video wasn\u2019t a YouTube video and instead it was [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n\t\t\t\t\t\t<!--.blog-excerpt-->\t\t\t\t\n\t\t\t\t\t\t\t<!--.post-info-->\n\t\t<\/header><!-- .entry-header -->\t\t\n\t<!--.col-md-?-->\n\t\t<header>\t\n\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/why-the-director-should-be-the-editor-of-the-film\/\">\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"432\" src=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/image-w1280-768x432.jpg\" alt=\"image-w1280\" srcset=\"https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/image-w1280-768x432.jpg 768w, https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/image-w1280-300x169.jpg 300w, https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/image-w1280-1024x576.jpg 1024w, https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/image-w1280-350x197.jpg 350w, https:\/\/www.mordego.com\/wp-content\/uploads\/2018\/09\/image-w1280.jpg 1280w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t<\/a>\n\t\t\t<!--.post-img-->\n\t\t\t\t<h2><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/why-the-director-should-be-the-editor-of-the-film\/\" rel=\"bookmark\">Why the Director Should Be the Editor of the Film<\/a><\/h2>\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.mordego.com\/es\/postproduction\/why-the-director-should-be-the-editor-of-the-film\/\" rel=\"bookmark\"><time datetime=\"2018-09-16T15:30:35+00:00\">16 septiembre, 2018<\/time><\/a><a href=\"https:\/\/www.mordego.com\/es\/postproduction\/why-the-director-should-be-the-editor-of-the-film\/\" rel=\"bookmark\"><time datetime=\"2019-02-27T19:05:11+00:00\">27 febrero, 2019<\/time><\/a> <a href=\"https:\/\/www.mordego.com\/es\/author\/alefito53\/\">Ale Fito<\/a> <a href=\"https:\/\/www.mordego.com\/es\/category\/postproduction\/\" rel=\"category tag\">POSTPRODUCTION<\/a> <a href=\"https:\/\/www.mordego.com\/es\/postproduction\/why-the-director-should-be-the-editor-of-the-film\/#respond\">Leave a Comment on Why the Director Should Be the Editor of the Film<\/a>\n\t\t\t\t\t\t<!-- .entry-meta -->\n\t\t\t\t\t\t\t<p>Why the Director Should Be the Editor of the Film Sean Baker. The Florida Project. David Lean. In which we serve. A passage to India (Oscar nomination for editing) David Lynch (2 features). Eraserhead. Inland empire. Shane Carruth (2 features). Primer. Upstream Color. The Coen Brothers (14 features). They have edited all of their films [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n\t\t\t\t\t\t<!--.blog-excerpt-->\t\t\t\t\n\t\t\t\t\t\t\t<!--.post-info-->\n\t\t<\/header><!-- .entry-header -->\t\t\n\t<!--.col-md-?-->\n              <nav class='pagination wp-caption void-grid-nav'> \n               1\n<a class='page-numbers' href='https:\/\/www.mordego.com\/wp-admin\/admin-ajax.php?paged=2'>2<\/a>\n<a href=\"https:\/\/www.mordego.com\/wp-admin\/admin-ajax.php?paged=2\">Next \u00bb<\/a>              <\/nav>\n    <!-- #main -->\n  <!-- #primary -->\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>ProTools Editing Principles for Filmmaking Pro Tools 12.5 Here I leave you a list of the key principles you will use when editing and mixing sound for film, therefore and without further delay here it is&#8230;\u00a0 Quick Steps when Creating a New Session: Step 1: NAME THE TRACK (SET A MASTER FADER FIRST WHEN CREATING [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>","protected":false},"author":1,"featured_media":4664,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[13,24,15],"class_list":["post-4659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-postproduction","tag-filmmakingskills","tag-post-production-skills","tag-skills"],"jetpack_featured_media_url":"https:\/\/www.mordego.com\/wp-content\/uploads\/2019\/01\/ProTools_Overview_Main.jpg","_links":{"self":[{"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/posts\/4659"}],"collection":[{"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/comments?post=4659"}],"version-history":[{"count":28,"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/posts\/4659\/revisions"}],"predecessor-version":[{"id":6854,"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/posts\/4659\/revisions\/6854"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/media\/4664"}],"wp:attachment":[{"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/media?parent=4659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/categories?post=4659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mordego.com\/es\/wp-json\/wp\/v2\/tags?post=4659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}