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Film distribution is all about getting your film to an audience. The definition is quite simple but the practice not so much. The truth is that for the sake of a distributor maintaining his position, distribution companies have to face difficult challenges that involve the promotion of a film and the sale. And after all you can always end up in bankruptcy. But let\u2019s not be so melodramatic. The thing is how you can get your film exposed to an audience and make a living out of it. That\u2019s the real question.<\/p>\n
If you are an aspiring filmmaker you have several ways your audience gets to watch your movie:<\/p>\n
So, which one is the one for me if I don\u2019t have the contacts or a distribution company or my own chain of movie theaters (I\u2019m supposing it\u2019s the majority, but if you do have that luxury don\u2019t hesitate to take advantage, duh). Well, that is the big question that most people seem to aks themselves when they finish a movie and want it to be seen. The truth is that you probably should have started planning before the film was finished.<\/p>\n
There isn\u2019t an infallible to do list that you can follow really but you can do several things:<\/p>\n
SELF-DISTRIBUTION is a big topic and actually for most people in most situations means a hell lot more of work and in the end \u201ca waste of time\u201d as you don\u2019t get to screen your film to an audience and you don\u2019t get your investment of money and time back. And that sucks!<\/p>\n
But,<\/p>\n
In my opinion, YOU, as a creator and not<\/em> a professional salesman, you shouldn\u2019t know how to be great at sales to live as a creator (that\u2019s why salesman people live on sales and do what they do, because they<\/em> know how to sale and have something to sale \u2013 this is where creators come in), so having said that in my opinion you have two choices:<\/p>\n OR<\/p>\n You decide.<\/u><\/p>\n \t\t\t\t\t\t\t\t\t\t\n
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